Fables in the Indian Narrative Tradition Shree Lal Bahadur Shashtri Rashtriya Sanskrit Vidyapeetha The Theory Of Perception As

The Theory Of Perception As Propounded By Dharmakirti And Dharmottara 337-345 CHAPTER XXII

Jeffrey explores the connection between the spiritual power

The Nine Categories (Padartha)

the second one highlights the God-man-world relation through a variety of doctrines and arguments as formulated by the illustrious preceptors of Vaisnava and Saiva traditions

Fables in the Indian Narrative Tradition Shree Lal Bahadur Shashtri Rashtriya Sanskrit Vidyapeetha The Theory Of Perception AsThe fable is the most metaphorical of all narrative genres. The Indian fable, being both realistic and other worldly, is recognised as a wonderful integration of the aesthetic and the discursive. Imitating the habits, chores, beliefs of the Indian culture, it is the dominant form in texts like the Pancatantra, the Jatakas, and the Hitopadea. It is included at different places in the long narratives of the Mahabharata and the Yogavasistha, and is